ExplaInIng subjects based on gnosticism as well as mysticism and describing expenences connected with taste and inner - feelings, mystics as a sign of the best and most suitable style put to use to a very large scale, the symbolic way of composition.
In thIs connection, king of the Divine lovers, namely Ibn al - Farid the Egyptian, in his famous collection of poetry, which is considered, as one of the most impressive works of mysticism all over the world, used this valuable style Vel} beautifully and tactfully.
In thIs article the very style in question, is manifested through some specimens taken from his
own divan. In addition, the artIcle deals, thousoh in IJrief, with subjects such as the development of allusion, and how it joined symbolism; synesthesia and (lifterent types of alJusion.
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